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Macro-geometry is the protagonist, pure colour becomes total space, which envelops and leads to hypnotic sensations, to new visual shores, to fantastic journeys. Backgrounds of colour in which the boundaries and shades are the detail of a movement. The wallpapers in Wheels Of Fire develop on the evocative imagery that derives from the cultural movement to which Rothko belongs, Color field painting, characterized by the use of large hemp canvases with fields of flat, solid colour spread across them. The movement rejects any factor related to shape, stroke, and material, focusing exclusively on the effects derived from the combinations of the various fields of colour. In color field painting, like in these subjects, colour is the only strength and takes on an actual role, arousing emotions.